Emel Brooklyn, New York
Emel isn't interested in being typecast as an exotic North African. For people who still haven't heard her ground her honeyed vocals in heavy, distorted electronics, and whose theatrical stage presence and arresting visuals call to mind the likes of Kate Bush and Björk — it's still useful to know how she rose onto stages across the world and become an anthemic voice during the Arab Spring. NPR ... more
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LET THE EVIL OF HIS OWN LIPS COVER HIM
by LINGUA IGNOTA
supported by 5 fans who also own “Mazel (feat. Camélia Jordana)”
THAT HE MAY NOT RISE AGAIN is such an emotional rollercoaster that I get chills from it every single time I listen. OOOSH.
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supported by 4 fans who also own “Mazel (feat. Camélia Jordana)”
Live In Berlin showcases the bulk of the Silver Tongue LP and is interwoven with key tracks from the artist's previous works. In an era where the live performance is all but a memory, this document is a clarion call; a rallying cry to remember the way a 60 minute show in a small club could change your life forever.
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EPISTOLARY GRIEVING FOR JIMMY SWAGGART
by LINGUA IGNOTA
supported by 4 fans who also own “Mazel (feat. Camélia Jordana)”
not what I was expecting but exceeded my wildest expectations. speechless, really. Forgiveness describes my experience too; a man broke my back and I lean like a bad house too. he never asked me to forgive him but I have to forgive him anyway. thank you for saying what I couldn't.
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UK percussionist and producer Tom Buford contrasts minimalist electronic experiments with vast soundscapes shaped by classical and jazz.
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House of (S)PUNK VOL.5
by TTRRAACCAA, Lola Kay, La Fraicheur & Leonard de Leonard, KOTIK, Störung
The excellent Barcelona label House of (S)PUNK is back with a five-song comp showcasing the local hardgroove scene.
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Yucca
by Church Andrews & Matt Davies
featured on Bandcamp Radio Apr 30, 2024
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Photograph EP
by Keeley Forsyth
supported by 4 fans who also own “Mazel (feat. Camélia Jordana)”
Keeley Forsyth was the last musician I went to see live before everything locked down in March (Bristol, the Fleece). I'd heard her album only the week before and thought it was just great, so went along. She gave an incredible, fragile performance. One that I won't soon forget given the way the world changed, almost at the moment she left the stage. These songs are an engrossing, natural extension on from the album. Highly recommended.
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