1. |
Massive Will
03:36
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2. |
Nar (feat. Ami Yerewolo)
03:17
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3. |
L'amour (feat. Justina)
04:04
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4. |
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5. |
Souty
03:16
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6. |
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7. |
Tmannit
03:36
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8. |
I'll leave
04:01
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9. |
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10. |
Pride
04:04
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11. |
Rise
03:10
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12. |
Nar II
01:40
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Emel Brooklyn, New York
Emel isn't interested in being typecast as an exotic North African. For people who still haven't heard her ground her honeyed vocals in heavy, distorted electronics, and whose theatrical stage presence and arresting visuals call to mind the likes of Kate Bush and Björk — it's still useful to know how she rose onto stages across the world and become an anthemic voice during the Arab Spring. NPR ... more
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LET THE EVIL OF HIS OWN LIPS COVER HIM
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supported by 5 fans who also own “MRA”
Sinister and piercing, this track is veiled in an evil that KH's heavenly voice can only bear.
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supported by 4 fans who also own “MRA”
Live In Berlin showcases the bulk of the Silver Tongue LP and is interwoven with key tracks from the artist's previous works. In an era where the live performance is all but a memory, this document is a clarion call; a rallying cry to remember the way a 60 minute show in a small club could change your life forever.
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EPISTOLARY GRIEVING FOR JIMMY SWAGGART
by LINGUA IGNOTA
supported by 4 fans who also own “MRA”
not what I was expecting but exceeded my wildest expectations. speechless, really. Forgiveness describes my experience too; a man broke my back and I lean like a bad house too. he never asked me to forgive him but I have to forgive him anyway. thank you for saying what I couldn't.
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They’re back, just in time for the weekend. The new one from Justice features Tame Impala, Connan Mockasin, Miguel, and more.
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Thom Yorke’s for Daniele Luchetti’s film “Confidenza” features rich, rococo compositions bolstered by strings, brass, and more.
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Unreleased Territory vol. 5: Low Voltage
by VA
Explore ambient music from across the globe in drifting and soothing songs on the new compilation from Electric Shapes.
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Photograph EP
by Keeley Forsyth
supported by 4 fans who also own “MRA”
Keeley Forsyth was the last musician I went to see live before everything locked down in March (Bristol, the Fleece). I'd heard her album only the week before and thought it was just great, so went along. She gave an incredible, fragile performance. One that I won't soon forget given the way the world changed, almost at the moment she left the stage. These songs are an engrossing, natural extension on from the album. Highly recommended.
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